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Teodora, a Roman courtesan and former slave girl, marries the Roman emperor Justinian and assumes the throne as Empress of Rome. But the divide between nobility and slave is too great. Teodora seeks justice for her people, and revolution and armed conflict erupt in both Byzantium and Rome.

A Mexican bandit teams up with a band of renegade Native Americans to avenge his older brothers when they are killed by a prankster, gold-obsessed bounty hunter.

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Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives private classes of violin. When Christine is near to have a baby, Antoine decides to find a new job, and he succeeds due to a misunderstanding of his employer. In a business meeting, he meets the Japanese Kyoko (Mademoiselle Hiroko) and they have an affair. When Christine accidentally discovers that Antoine has a lover, they separate. But later they miss each other and realize that they do love each other.

Two dim-witted servants to an elderly, wealthy woman learn that they are to inherent the late woman's money, on the condition that they have to care for her rambunctious pet cat, which turns it out is not easy to do.

Engineer Quiller has become rich by selling his completely indestructible shop-window glass to jeweleries around the world. But this got him lots of enemies too: the insurance agencies, who've lost hundreds of customers, and the burglarers. When he temporarily looses his memory and voice in an accident, of all people, a family of thieves finds and cares for him - believing he's a pocket-picker. Things get complicated when he falls in love with his host Tilli.

Anna is quiet, living with her parents, cashiering at a café bar in Bergamo. She meets and falls for Guido, a Milanese gangster in town to lie low. He pursues her, but also warns her that he's no good. She goes to Milan with him anyway. When she witnesses a Mob hit, Guido's boss wants her compromised so she will never testify against them: Guido pushes her into prostitution. When she becomes pregnant and Guido wants her to have an abortion, she rebels. Can she escape "the life," or is death the only alternative? What about the child?

A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision.

An old executioner in early-1960s Spain, who is a very gentle, nice, caring man proud of traditions, is approaching retirement age. As his profession isn't the most popular, he worries about who might take his place. He worries about his daughter too; she seems doomed to spinsterhood because as soon as any prospective groom learns what her father's trade is, he flees in terror. Enter the local undertaker, a handsome young man with exactly the same problem: no girl wants him given his profession. So, you have the woman whom almost nobody would marry and the man whom almost nobody would marry. Obviously, they are meant for each other. But here the old executioner has something to say: He does not object to his daughter marrying the young undertaker; he seems a decent man--but he will only agree to the marriage if the prospective groom agrees to take the executioner's job when he retires. Father tells the worried fellow: "Don't worry, they sentence people, but they pardon them at the ...

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.