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Dar, the son of a king, is hunted by a priest after his birth, so he is sent to grow up in another family. When he becomes a grown man, his new father is murdered by savages. He discovers that he has the ability to communicate with the animals, and after that, Dar begins his quest for revenge in this Conan-like movie.

Arnie Judlow, an inmate at San Quentin prison serving a life sentence for murder, devises a daring plan with his wife and his brother Bill to help him escape, part of which involves Bill and Arnie's wife posing as a married couple and moving to a house near the prison. Although the plan appears to go smoothly at first, it soon runs into a few snags--the couple move next door to a suspicious prison guard who knows Arnie and, more importantly, Bill and his brother's wife begin to find themselves attracted to each other.

In Hollywood of the 50's, the obscure screenplay writer Joe Gillis is not able to sell his work to the studios, is full of debts and is thinking in returning to his hometown to work in an office. While trying to escape from his creditors, he has a flat tire and parks his car in a decadent mansion in Sunset Boulevard. He meets the owner and former silent-movie star Norma Desmond, who lives alone with her butler and driver Max Von Mayerling. Norma is demented and believes she will return to the cinema industry, and is protected and isolated from the world by Max, who was her director and husband in the past and still loves her. Norma proposes Joe to move to the mansion and help her in writing a screenplay for her comeback to the cinema, and the small-time writer becomes her lover and gigolo. When Joe falls in love for the young aspirant writer Betty Schaefer, Norma becomes jealous and completely insane and her madness leads to a tragic end.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens. blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show)

Rome, 1959/60. Marcello Rubini (played by Marcello Mastroianni) is a writer and journalist, the worst kind of journalist - a tabloid journalist, or paparazzo. His job involves him trying to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subject, especially when they're beautiful women. Two such subjects are a local heiress, Maddalena (Anouk Aimee), and a Swedish superstar-actress, Sylvia (Anita Ekberg), both of whom he has affairs with. This is despite being engaged to Emma (Yvonne Furneaux), a rather clingy, insecure, nagging, melodramatic woman. Despite his extravagant, pleasure-filled lifestyle, he is wondering if maybe a simpler life wouldn't be better.

After a four year absence, one time detective Nick Charles returns to New York with his new wife Nora and their dog, Asta. Nick re-connects with many of his old cronies, several of whom are eccentric characters, to say the least. He's also approached by Dorothy Wynant whose inventor father Clyde Wynant is suspected of murdering her father's mistress (his former secretary ).. Her father had left on a planned trip some months before and she has had no contact with him. Nick isn't all that keen on resuming his former profession but egged-on by wife Nora, who thinks this all very exciting, he agrees to help out. He solves the case, announcing the identity of the killer at a dinner party for all of the suspects.

As crime runs rampant in the United States, the hard-as-nails LAPD Lieutenant, Marion "Cobra" Cobretti, is the only cure for the crime-infested urban jungle of Los Angeles. In the meantime, a string of seemingly unconnected and unmotivated random assaults on civilians will soon drag the hardened officer into a violent war against the psychopaths of the secret organisation named "The New World". With the criminal society's sole purpose to weed out the weak, Cobra will escort an important witness--the young model, Ingrid--out of town to protect her; however, the movement's delusional killers will stop at nothing to track her down. Now, the only one who stands in their way is the one-man-army Lieutenant. Are they prepared for Cobra's nasty bite?

Small-town accountant Frank Bigelow goes to San Francisco for a week's fun prior to settling down with fiancée Paula. After a night on the town, he wakes up with more than just a hangover; doctors tell him he's been given a "luminous toxin" with no antidote and has, at most, a week to live! Not knowing who did it or why, Bigelow embarks on a frantic odyssey to find his own murderer.

The bitter and cynical Mae Doyle returns to the fishing village where she was raised after deceptive loves and life in New York. She meets her brother, the fisherman Joe Doyle, and he lodges her in his home. Mae is courted by Jerry D'Amato, a good and naive man that owns the boat where Joe works, and he introduces his brutal friend Earl Pfeiffer, who works as theater's projectionist and is cheated by his wife. She does not like Earl and his jokes, but Jerry considers him his friend and they frequently see each other. Mae decides to accept the proposal of Jerry and they get married and one year later they have a baby girl.

One night on a lonely highway, a man in a speeding car tosses a satchel of money meant for somebody else into Jane and Alan Palmer's convertible as they are heading down a mountain road to a party. When they open the satchel and see what's inside, Alan wants to turn it over to the police, but Jane, with a life of luxury now within reach, persuades him to hang onto it "for a while." Soon afterward, the Palmers are tracked down by one Danny Fuller, a sleazy character who claims the money is his. To hang on to the cash, Jane will need to exercise all her feminine wiles, even if it leads her to dangerous circumstances and criminal behavior.