هنرمند آرشیو مارچلو ماسترویانی

When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.

Forty-year-old Sandro (Marcello Mastroianni) is married to Claude (Virna Lisi). Sandro has one strange obsession: he is a self confessed voyeur. He films his wife in all walks of life on his wobbly hand held camcorder. But everything changes when Mark (Timothy Dalton) enters their life.

In pre-World War II Sicily, just as the fascists come to power, two men fall in love with the same woman. The changes in their country's politics ultimately take all three on a journey across the ocean to New York City.

A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse

A anarchist leader (Fulvio) wishes to retire, as he is old and tired. He tries to hide himself, but his friends find him and insist he carries on helping them.

Julia, a fashion designer harboring a secret, spends ten days of passion in the Alps with Valerio, a race car driver, in what will be their last vacation together.

Robert Traven, a dyspeptic, edgy American businessman, arrives in Naples and is received by a friendly but officious local company representative. Exhausted by the pressures and inconveniences of a long flight, he is looking forward to rest and relaxation in his hotel room when he is visited by buoyant and upbeat Antonio Jassiello, a clerk in a bank record room, who is surprised when his old friend from the War does not recognize him. The annoyed and exhausted Traven feels he's being scammed, and the two part on bad terms. Jassiello does leave a photo of Traven and his sister taken 40 years earlier, and the time and the setting seen to stir the American's memory, so he seeks out Antonio to apologize. Jassiello brings him back home to renew acquaintances with his family including his now middle-aged, married sister, Her hospitable husband is friendly and not the least bit jealous, and Traven soon discovers why he has not faded from their memories as they have from his. Antonio has been...

Marcello is in the compartment of an Italian train, facing forward when the mineral water of the woman seated across from him starts to fall toward him. He catches the bottle and makes eye contact and follows her when she leaves the compartment. For a few moments she finds him attractive too. Then suddenly she gets off the train and starts walking through a field. Marcello follows her, loses her, finds himself in a large hotel surrounded by women. A feminist conference is taking place and he tries to escape.

Rome, 1959/60. Marcello Rubini (played by Marcello Mastroianni) is a writer and journalist, the worst kind of journalist - a tabloid journalist, or paparazzo. His job involves him trying to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subject, especially when they're beautiful women. Two such subjects are a local heiress, Maddalena (Anouk Aimee), and a Swedish superstar-actress, Sylvia (Anita Ekberg), both of whom he has affairs with. This is despite being engaged to Emma (Yvonne Furneaux), a rather clingy, insecure, nagging, melodramatic woman. Despite his extravagant, pleasure-filled lifestyle, he is wondering if maybe a simpler life wouldn't be better.

A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?