ژانرها عاشقانه

In this first part of the Angélique cycle, set in Mid-17th century France under the young Sun King Louis XIV, still struggling for his throne, while beggars and brigands roam the country, Angélique de Sancé de Monteloup, fifth child of an impoverished country nobleman in the Poitou marshlands, expected to struggle for a meager subsistence, educated in a nunnery, is betrothed at 17 to Joffrey de Peyrac, the 12 years older rich but cripple Comte de (count of) Peyrac de Morens and seigneur (Lord) of Toulouse, scarred in the face and said to be a sorcerer, in fact practicing oriental mining techniques which make his vast fortune. For the sake of her family, Angélique reluctantly agrees to the match but refuses the advances of her husband, who does not enforce his conjugal rights, wishing only to win her heart. As Angelique gradually discovers virtuous Peyrac's remarkable talents as scientist, musician and philosopher, she falls passionately in love with him. Joffrey's unusual way of life ...

Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!

Lady, a golden cocker spaniel, meets up with a mongrel dog who calls himself the Tramp. He is obviously from the wrong side of town, but happenings at Lady's home make her decide to travel with him for a while. This turns out to be a bad move, as no dog is above the law.

Condemned gunman Clayton is given a last minute reprieve on condition he murders rancher Matthew for a railway company. Visiting Matthew's ranch, Clayton is unable to bring himself to kill Matthew and leaves, but Matthew's wife, Catherine, believing she has killed Matthew during an argument joins Clayton. Matthew, still alive, and mad as hell joins Clayton's equally angered employers to hunt down the pair

SPOILER: Arjun, a hot headed but soft hearted man, always finds himself in situations that others take him as a bad person. His childhood teacher Masterji is the only person understands him & appreciates his good quality and Arjun follows his instruction/wishes completely. Arjun loves Aarti and wants to marry her but Aarti's father does not endorse this alliance and decides to get her marry to someone else. Arjun is agitated but Masterji calms him down and asks him to not disrupt this marriage, instead convince Aarti to marry the boy her father has chosen for her. Arjun follows what Masterji has asked him. Devastated Arjun finds love in Margret who he has been fighting with since she came to town. Now Margret's uncle and mother are against their marriage. This time Arjun is not lenient and does not even listen to Masterji. Arjun and Margret run away and commit suicide jumping down a mountain.

Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the Bolsheviks get closer to Moscow. Although married, she spends time every day with Victor Pototsky, the film's cameraman. Gradually, it comes to light that Victor uses his job as a cover for filming White atrocities and Red heroism: he's a Bolshevik. He asks her for help, and she discovers meaning in her otherwise flighty and self-centered life. Love blooms. Will the Red forces arrive in time to save them from a suspicious White military leader? Will she find courage?

When Durga's husband speaks out against the tyrannical rule of his brother, Durjan Singh, he is mercilessly killed, and Durga and her two children, Karan and Arjun, are left destitute. Durga brings up her sons without informing them of their heritage nor of the death of their father, but they soon find out when the elder Thakur decides to invite Durga back into his household. This does not auger well with Durjan Singh, and he has the elder Thakur killed. When he finds out about Durga, he goes to end her life, but her sons spring up to defend her, only to get themselves killed. Alone, destitute more than ever, and devastated, Durga loses her mind, and prays to God to bring her sons back so that they can avenge her humiliation, and the death of their father. Seventeen years later, two youth re-enter her life, they do look like her sons, and are ready to take on Durjan Singh, but will they also meet the same fate as Karan, Arjun, and their father?

Rajiv comes from a very wealthy family, and lives in a palatial home with his mother, who would like him to get married to a beautiful young woman named Vijaya Singh, the only daughter of Thakur Ajay Singh. But Rajiv is in love with a woman named Rajni, who is an orphan and has no family background. When Rajiv mentions this to his mother, she opposes this marriage, but relents when she meets with Rajni and sees that she is a indeed a beautiful woman. Both get married and live harmoniously for quite some time - until the arrival of Bhairo Nnath a religious man, who is capable of controlling snakes. He informs Rajiv's mom that the woman, Rajni, is a shape-shifting venomous snake who has married Rajiv to avenge the death of her spouse years ago when Rajiv was a child. What Rajiv's mom does not know that Bhairavnath has a secret agenda in entrapping Rajni, a secret - the knowledge of which will shatter and change their lives forever. This movie to be followed by a sequel called "Nigahen: ...

Princess Margaret is travelling incognito to elope with her true love instead of marrying the man her father has betrothed her to. On the high seas, her ship is attacked by pirates who know her identity and plan to kidnap her and hold her for a king's ransom. Little do the cutthroats know that she will be rescued by that unlikeliest of knights errant, Sylvester the Great, who will lead them on a merry, and madcap, chase.

1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von Ebrennac, to live in for as long as he is in the area on Nazi business. As a figurative and literal silent protest against the Nazis and the officer, the uncle and niece do whatever is required of them while the officer is in their house, however they do not acknowledge his presence, living largely in silence whenever he is around. The officer treats the housing situation with care, like he is a guest. Although not a nightly occurrence, the officer begins an evening routine with his reluctant hosts: in his civilian clothes, he knocks on the door of the room in which they have convened for the evening, walking in shortly thereafter knowing that no acknowledgment will be made for him to enter, he visits with them for no more than five minutes before he bids them a good evening as he exits. During these ...