ژانرها درام

Swordswoman Meng Hung must work with Fan Tien-fu, to find then protect the royal seals of the Sung Dynasty. If they should fail, the dynasty will fall.

A man tries to escape from his wife, but the plan goes horribly wrong.

Italian immigrant tries to become a member of Swiss society but fails as a waiter and even as a chicken plucker. He then becomes involved with shady wealthy character and tries to hide his Italian identity. He refuses to give up no matter how awful his situation.

Young Annie, orphaned since childhood, leaves college where she has always lived together with her lover Michael, an ambiguous individual who passes himself off as her father. Once in Hong Kong, the man is arrested during a party accused of being a currency dealer. Left alone, Annie ends up under the protection of Angelo and Linda, a wealthy and unprejudiced couple who starts her in the world of sex and swinging. After a series of murky adventures, she finds refuge in a Buddhist convent where she will be able to find in herself the strength to get rid of her captors.

In a marksmanship contest, Lin McAdam wins a prized Winchester rifle, which is immediately stolen by the runner-up, Dutch Henry Brown. This "story of a rifle" then follows McAdams' pursuit, and the rifle as it changes hands, until a final showdown and shoot-out on a rocky mountain precipice.

In Turkmen region Artegh proposes for Ghelich Khan's daughter several times but each time her father refuses. Artegh kidnaps her but this is only the beginning of the troubles.

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In the Australian Outback, the Carmody family, Paddy (Robert Mitchum), Ida (Deborah Kerr), and their teenage son Sean (Michael Anderson, Jr.), are sheep drovers, always on the move. Ida and Sean want to settle down and buy a farm. Paddy wants to keep moving. A sheep-shearing contest, the birth of a child, drinking, gambling, and a race horse will all have a part in the final decision.

The power and fortune of the Von Essenbeck family remained intact even when Germany lost World War I, and during the depression that followed. Now it's 1934, and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company. Two little girls recite poetry in the parlor and then play hide-and-seek with their cousin Martin (Helmut Berger). Suddenly there is a scream. The baron has been shot with their father's gun and the father flees the country.

In 1976, a young woman in Krakow is making her diploma film, looking behind the scenes at the life of a 1950s bricklayer, Birkut, who was briefly a proletariat hero, at how that heroism was created, and what became of him. She gets hold of outtakes and censored footage and interviews the man's friends, ex-wife, and the filmmaker who made him a hero. A portrait of Birkut emerges: he believed in the workers' revolution, in building housing for all, and his very virtues were his undoing. Her hard-driving style and the content of the film unnerve her supervisor, who kills the project with the excuse she's over budget. Is there any way she can push the film to completion?